Act 4 Scene 1- Othello once again contradicts himself as he suggests that he wishes to violently harm Desdemona, Act 4 Scene 1- Iago tells Othello how to murder his wife, strangle her in her bed, even the bed she hath contaminated, Act 4 Scene 1- Othello suggests that the justice of murder settle him, Act 4 Scene 1- Lodovico reveals that this new Othello would not be believed in Venice, My lord, this would not be believed in Venice, Act 4 Scene 1- Othello reveals that womens tears are fake, If that earth could teem with a womens tears//Each drop she falls would prove a crocodile, Act 4 Scene 1- Iagos manipulation continues as he declares his honesty, It is not honesty in me to speak// What I have seen and known, Act 4 Scene 2- Emilia swears on her life to Othello that Desdemona is honest, I durst my lord to wager she is honest lay down my stole at stake, Act 4 Scene 2- Othello believes that Desdemona is manipulative and sly in her actions, This is a subtle *****, A closet lock and key of vilainous secrets, Act 4 Scene 2- Desdemona continues to pledge that she is honest, Act 4 Scene 2- Othello declares that Desdemona is false, Act 4 Scene 2- Othello suggests that his fatal flaw is his lack of patience, I should have found in some place of my souL//A drop of patience, Act 4 Scene 2- Othello reveals the danger in Desdemona despite the fact that she appears honest, O, thou weed, Who art so lovely fair and smellst so sweet, Act 4 Scene 2- Desdemona wishes that Emilia lay out her wedding sheets, Act 4 Scene 2- Desdemona reveals to Iago that it is her destiny to suffer, Act 4 Scene 2- Emilia illustrates great power as she is aware that someone is behind Othellos jealousy, I will be hanged is some eternal villain//some busy and intriguing rogue//Have not devised this slander, Act 4 Scene 2- Emilia continues to illustrate her power as she suggest someone is controlling Othellos jealousy, The Moors abused by some most villainous knave, Act 4 Scene 2- Desdemona reveals that despite Othellos unkindness, her love will continue, Unkindness may do much//And his unkindness may defeat my life//But never taint my love, Act 4 Scene 2- Roderigo has a brief moment of realisation that he is the victim of Iagos manipulation, Every day thou daffst me with some device Iagokeepst from me all conveniency. This leads to Othellos madness and desperateness in killing those who have abused and mocked him. As Othello becomes more convinced by Desdemona's 'falseness', he equates the alleged dishonour of "her name" with the black complexion of his face - By the world, I think my wife be honest and think she is not; I think that thou art just and think thou art not. Her will may fall to match you with her country forms and happily repent.
A Topic Of Pride In Othello By William Shakespeare And Oedipus By Considered by some to be one of the finest tragedies ever written Shakespeare's Othello tells the story of one man's fall from happiness to utter despair. Act 5 Scene 1- Othello confirms that he is going to kill his wife in her bed, Thy bed, lust-stained, shall with lusts blood be spotted, Act 5 Scene 1- Roderigo correctly identified Iago as the villain after he has been stabbed. He believes that her soul is damned because of her adultery and the more she protests her innocence, the more enraged he becomes. Quotes in Othello Quote #1 "But I will wear my heart upon my sleeve For daws to peck at: I am not what I am." (Act 1 Scene 1) These are the words of Iago in the first scene. Desdemona: Banish me my lord, but kill me not. He says that Desdemona would be dissatisfied and bored by staying with a black, old Moor and that she would want to sleep with another man.
Othello Quotes and Analysis | GradeSaver Look to your wife, observe her well with Cassio.
Othello: Othello Quotes | SparkNotes When the General learns Brabantio is coming to arrest him in (I.ii), he dismisses the threat and boasts about how his services for the signiory will out-tongue any complaints and accusations. I pray you, in your letters. Youve successfully purchased a group discount. Now that Iago has awakened jealousy and suspicion in him, he cannot think about anything else. The meat it feeds on. than suppliest me with the last advantage of hope, Act 4 Scene 2- Roderigo acknowledges that he has been manipulated by Iago, I have heard too much; for your words and performances are no kin together, Act 4 Scene 2- Rodergios moment of realisation continues, With naught but truth. Othello: Down, Strumpet! Please wait while we process your payment. When you shall these unlucky deeds relate, Nor set down aught in malice. I know our country disposition well. Here, he claims that he has poisoned Othello's mind by suggesting Desdemona may be up to something naughty. Copyright 1999 - 2023 GradeSaver LLC. Designed by GonThemes. It is a reminder that we should always act with grace and understand our own flaws and fallibility. (Jack, Chapter-Two) Jack, the anti-hero and opponent of Ralph, speaks these words to Ralph. Act 5 Scene 2- Othello makes an error of judgement once again and suggests that Iago is honest, An honest man he is, and hates the slime//That sticks on filthy deeds, Act 5 Scene 2- Emilia cannot believe that her husband is responsible, Act 5 Scene 2- Emilia suggests that villainy has destroyed this love, Act 5 Scene 2- Othello defends Iago when Emilia is accusing him of villainy, My friend, thy husband, honest, honest Iago, Act 5 Scene 2- Emilia wishes severe punishment on her husband, may his pernicious soul//Rot half a grain a day, Act 5 Scene 2- Emilia suggests that Othello will go to hell for this act, This deed of thine is no more worthy of heaven//That thou was worthy of her, Act 5 Scene 2- Theres a transformation in Emilia who begins to defend herself, Thou hast not half that power to do me harm//As I have to be hurtAs ignorant as dirt, Act 5 Scene 2- Emilia hopefully suggests that Othello is blaming Iago, You have done well//That men must lay their murders on your neck, Act 5 Scene 2- Once again Emilia hopes that Iago is not responsible, I know thou didst not: thourt not such a villain//Speak for my heart is full, Act 5 Scene 2- Emilia identifies the cruel act of her husband, You told a lie, an odious damned lie// Upon my soul, a lie, a wicked lie, Act 5 Scene 2- Emilia is not longer subdued to her husband, I will not charm my tongue; I am bound to speak, Act 5 Scene 2- Emilia ultimately identifies Iago as the villain. You may cancel your subscription on your Subscription and Billing page or contact Customer Support at custserv@bn.com. Act 1 Scene 1 - Iago's casual sexism as he discusses Cassio.
on 2-49 accounts, Save 30% Cynics might consider Othellos behaviour in the first scenes to be hubristic. Perhaps the best example of this ambiguity in the second scene occurs towards the end. We cannot all be masters, nor all masters. Which character recruits Iago to woo Desdemona? The protagonist wants to appear powerful, especially as an outsider in this white society, but her affair reduces his status to a disgraced cuckold. Iago says and to see how he prizes the foolish woman your wife; she gave it him and he hath given it his whore. Throughout the scene, Othello remains calm and dignified. Act 1 Scene 1- Iago illustrates Othello's hubris. After a drunken brawl with Roderigo, Cassio is stripped of his position. For example, in his essays on Rhetoric, Aristotle argued a blow would include hubris if its purpose was to humiliate the victim or gratify the striker, especially if the assault was unprovoked. Uds pity, who would not make her husband a cuckhold to make him a monarch? Iago says he knows people in this country do bad things. Nor scar that whiter skin of hers than snow. "But he, as loving his own pride and purposes" Iago's comments on Cassio's talents. Iagos manipulations of Othello conform to the post-colonial reading and the features of an Aristotelian tragedy. Creon has ordered that Polynices, Antigone's brother, cannot receive a proper burial because in Creon's eyes he is a traitor. That cuckold lives in bliss, Who, certain of his fate, loves not his wronger: But O, what damnd minutes tells he o'er.
HubrisQuotes (Shakespeare Quotes by Themes) - eNotes.com For when my outward action doth demonstrate, In compliment extern, tis not long after. In one of Iago's soliloquies, he observes that things that may otherwise seem insignificant are given outsized importance when they confirm an already held belief.
Othello Quotes by William Shakespeare - Goodreads A drama of a solemn and dignified quality that typically depicts the development of a conflict between the protagonist and a superior force, such as fate, circumstance, or society, and reaches a mournful/ruinous death, A deflect in the protagonist that brings about his or her tragic downfall, -Easy prey to insecurities due to his age, his life as a soldier, and his self-consciousness about being a racial and culture outsider, -act 3, scene 3: Othello trusting nature believes Iago is telling the truth when he said Desdemona is having an affair with Cassio.
Othello Quotes - Litchapter.com board with our, See No one has time to read them all, but its important to go over them at least briefly. Thou dost stone my heart. Othello says this line as he rages about the torment he is experiencing now that he is suspicious of his wifes fidelity. However, the audience will be quick to question Iagos own motivation for such scornful remarks. Pomp and circumstance. Th' immortal Jove's dread clamors counterfeit, Farewell! Iago says that Othello can forgive Desdemonas evil deeds if he adores very much. $18.74/subscription + tax, Save 25% The quote shows how fully Othello's feelings towards Desdemona have changed: he now hates her as passionately as he previously loved her. An excellent example of this character arc is Othello. What wife? freebooksummary.com 2016 2022 All Rights Reserved, We use cookies to give you the best experience possible. Renews May 7, 2023 He specifies that he sees his downfall as his passion for Desdemona, since it ultimately made him succumb to jealousy. Whateer you be, I am obedient, Act 3 Scene 3- Othello forshadows the chaos that occurs when he no longer loves Desdemona, But I do love thee! Inthetwentiethcentury,musicalexperimentationbecamemorecommon,andnewsoundsandformsbegantoemerge. (3.3.373-382) Iago realizes the unbelievable power of jealousy. We're English, and the English are best at everything.". In these lines said by Othello, he is showing how someone's deceit (having to do with his love for his wife) can really go as far as to make him criticize a whole entire gender based on one idea that his Desdemona has been unfaithfuland he does not even have proof that this accusation is true. Members will be prompted to log in or create an account to redeem their group membership. His hubris leads to his ultimate, inevitable downfall. Tis he! Some composers, such as Dmitri Shostakovich of Russia, wrote traditional symphonies of four distinct movements. (4) make it hard to think that Othello has made the right choice in promoting him even though these lines can be interpreted as an exaggeration. (one code per order).
O (Film) Quotes and Analysis | GradeSaver Is It Power of Words Which Destroy Othello or His Own Hubris? Did you know you can highlight text to take a note? Had all his hairs been lives, my great revenge had stomach for them all. In other words, she inflated his ego. 20% Inthetwentiethcentury,musicalexperimentationbecamemorecommon,andnewsoundsandformsbegantoemerge.\underline{\text{\color{#c34632}In the twentieth century, musical experimentation became more common, and new sounds and forms began to emerge. Fill each blank with the most appropriate word. Example [1] In the twentieth century, musical experimentation becomes more common, and new sounds and forms began to emerge. Ah me, ah me!
Othello Jealousy Quotes | Shmoop Othellos hubris is further demonstrated to a greater extent when he strangles Desdemona in her bed. Oh I have lost my reputation!
Othello: tragic flaw & Hubris - Litchapter.com If you do find me foul in her report the trust, the office I do hold of you not only take away, but let your sentence fall even upon my life." When O . His suggestion is a subtle mutiny aimed at Roderigo. The relationship between Roderigo and Iago is obviously somewhat close. Act 2 Scene 1- Iago suggests that sex will ruin Desdemona and Othellos relationship, When the blood is made dull with the act of sport, Act 2 Scene 1- Iago identifies Cassios quick temper as a flaw that can be used against him, hes rash and very sudden in choler, and haply//with his trucheon may strike at you, Act 2 Scene 1- Iago identifies Othellos greatness of soul as a flaw that can be used against him, The Moor//Is of a constant, loving, noble nature//And I dare think, hell prove to Desdemona// A most dear husband, Act 2 Scene 1- Iago expresses his motives as revenge as he belives Othello has slept with his wife. How does Cassio fall from Othellos grace and get fired? Iago This quote says that Iago is giving him harder evidence and makes Othello believe him further. Villainy, villainy, villainy! There is self-approval in these lines which could be interpreted as arrogant. (He smothers her) Othellos ruthlessness and hubris energise him to throttle his wife, ignoring her desperate pleas. I have lost the immortal part of myself, Act 2 Scene 3- Cassio curses the alcohol as he is left devastated, Every inordinate cup is unblessed and the ingredience is evil, Act 2 Scene 3- Iago reveals that Othellos devotion to Desdemona could act as his fatal flaw, he hath devoted and given up himself to the contemplation, mark and denotement of her parts and graces, Act 2 Scene 3- Iago reveals that Desdemonas kind nature is a flaw that can be used against her, She is of a free, so kind, so apt, so blessed a disposition she holds it a vice in her goodness not to do more than she is requested, Act 2 Scene 3- A moment of dramatic irony as Iago reveals himself to be the villain, And whats he then that says I play the villain//When this advice is free I give and honest, Act 2 Scene 3- A moment when Iago further illustrates Desdemonas innocent and free nature, Shes framed as fruitful//As the free elements, Act 2 Scene 3- Iago reinforces Othellos fatal flaw as his love for Desdemona, Act 2 Scene 3- Iago reveals the deadline nature of words, Act 2 Scene 3- Iago reveals that it is Desdemonas goodness that will result in their tragic downfall, And by how much she strives to do him good//She shall undo her credit with the Moor, Act 2 Scene 3- Iago declares that he will turn Desdemonas strengths into weaknesses, So I will turn her virtue into pitch// and out of her own goodness make the net//That shall enmesh them all, Act 2 Scene 3- Roderigo has a moment of realisation that he is the victim, I shall have so much experience for my pains; and so, with no money at all, and a little more with, return to Venice, Act 3 Scene 1- Cassio discusses the purity of Desdemona, Act 3 Scene 1- Cassio makes an error of judgement as discusses his trust for Iago, I never knew a Florentine more kind and honest, Act 3 Scene 3- Desdemona makes an error of judgment as she confirms that she will help Cassio, be thou assured good Cassio, I will do// all my abilities in thy behalf, Act 3 Scene 3- Desdemona makes an error of judgement as she states that she trusts Iago, Act 3 Scene 3- In a moment of dramatic irony Desdemona doesnt know the truth in here words as she states she would rather die than give up on Cassio, For thy solicitor shall rather die//Than give thy cause away, Act 2 Scene 1- Desdemona is putting up a front to maintain appearances as she waits with Iago and Emilia for Othello to arrive safely to Cyprus, I am no merry, but I do beguile// The thing I am by seeming otherwise, Act 2 Scene 3- Othello reveals that he and Desdemona are going to have sex for the first time, The purchases made, the fruits are to ensue: That profits yet to come tween me and you, Act 2 Scene 3- Iago appears crude and bitter as he wishes that Othello and Desdemona have a good time in bed, this contrasts the formality of Cassios language, Act 2 Scene 3- Iago presents Roderigo as the tragic victim of love, Rodergio, Whom love hath turned almost wrong side out, Act 2 Scene 3- Iago introduces the power of pride as he sings with Cassio to get him drunk, Act 2 Scene 3- When Cassio is drunk he reinforces his power over Iago, The lieutenant is to be saved before the Ancient, Act 2 Scene 3- Iago begins to manipulate Montano into believing that Cassio should not be trust by Othello, Act 2 Scene 3- Montano presents Othellos good nature as he defends the trust Othello put in Cassio, his good nature//Prizes the virtue that appears in Cassio// and looks not on his evils, Act 2 Scene 3- In a moment of dramatic iron Iago damns Cassio for his drunken behavious, Act 2 Scene 3- Othello states that he Cassio has ruined his reputation as lieutenant, Act 2 Scene 3- In a moment of dramatic irony Othello states that he is now ruled by his blood, Now, by heaven// My blood begins my safer guides to rule, Act 2 Scene 3- In a moment of dramatic irony Othello criticises those who make their private conflict public, To manage private and domestic quarrel in night, and on the court and guard of safety, Act 2 Scene 3- Iago states that when angered men do harm to those they love, As men in rage strike those that wish them best, Act 2 Scene 3- Iago reveals his bitter opinions of status and reputation, Reputation is an idle and most false imposition: oft got without merit and lost without deserving, Act 2 Scene 3- Iago revels that Othello now belongs to Desdemona, Act 2 Scene 3- Iago reveals a possible fatal flaw of Othello as he is completely devoted to Dsdemona, Act 3 Scene 3- Iago begins to plants seeds of doubt into Iagos mind as he suggests that Cassio is sneaking around behind Othellos back, I cannot think it// That he would sneak away so guilty-like// Seeing you coming, Act 3 Scene 3- Othello states that he will give Desdemona everything, Act 3 Scene 3- Desdemona proves to Emilia that she is obedient but challenges Emilias obedience, Emilia come. I'll have some proof. Othello, a Shakespearean tragedy, is about how jealousy and hubris shape the destruction of the protagonist, Othello. The idiom "green-eyed monster" comes from this line in Othello, and Iago characterizes the emotion as one that consumes the man who revels in it. This quotation is significant because it is clearly hurtful to O, but even more important, it actually contradicts a previous conversation O has with Desi at the beginning of the film. Renew your subscription to regain access to all of our exclusive, ad-free study tools. In the same fashion, the play Oedipus written by Sophocles also shows Oedipus being excessively prideful. "Rude am i in my speech" proves Othello's confidence and elegance in his language.
Lord of the Flies Quotes with Examples and Analysis - Literary Devices on 50-99 accounts. . to start your free trial of SparkNotes Plus. Why does Othello care about Desdemonas handkerchief. Powered by WordPress. Act 1 Scene 1- Iagos racism as he discusses Othello and his wife to Brabantio, an old black ram//Is tupping your white ewe, Act 1 Scene 1- Iagos racism continues as he discusses Othellos marriage, youll have your//daughter covered with a Barbary horse; youll have your// nephews neigh to you, Act 1 Scene 1- Brabantio doesnt know the truth in his words, Act 1 Scene 1- Roderigo illustrates that he is repulsed by the marriage, Act 1 Scene 1- Iagos dramatic irony as he suggests that he should leave before Othello arrives, It seems not meet, nor wholesome to my place//To be produced, Act 1 Scene 1- Brabantio introduces a central theme to the play, Act 1 Scene 1- Brabantio expresses his betrayal, Act 1 Scene 1- Brabantio confirms the Rennaissance stereotype of black men, Is there not charm// By which property of youth and maidhood//May be abused, Act 1 Scene 1- Brabantio makes his private conflict public, Get weapons, ho!//And raise some special officers of night, Act 1 Scene 2- Iagos dramatic irony as he pretend to be fault to Othello, Act 1 Scene 2- Iago suggests that Brabantio has betrayed Othellos honour, And spoke such scurvy and provoking terms// Against your honour, Act 1 Scene 2- Othello initially illustrates his pride as an officer, My services which I have done the signory//Shall out-tongue his complaints, Act 1 Scene 2- Othello further illustrates his honour as an officer, I fetch my life and being//From men of royal siege, Act 1 Scene 2- Othello expresses his greatness of soul as he declares his love for Desdemona, But that I love the gentle Desdemona//For the seas worth, Act 1 Scene 2- Othello declared his hubris as he suggests that he must be found, My parts, my title, and my perfect soul//Shall manifest me rightly, Act 1 Scene 2- Othello subverts the traditional stereotype of soldiers as he suggests that violence isnt always the way, Keep up your bright swords, for the dew will rust them//Good signor, you shall command with years//Than with your weapons, Act 1 Scene 2- Brabantio declares that Othello has charmed Desdemona, Damned as thou art, thou has enchanted her, Act 1 Scene 2- Brabantio illustrates Desdemona as a weak victim to the cunning sexual predator of Othello, If she in chains of magic were not bound//Whether a maid, so tender, fair and happy//so opposite to marriage that she shunned, Act 1 Scene 2- Brabantio reveals his casual xenophobia as he suggests that one should be afraid of Othello rather than in love, Of such a thing as thou: to fear, not to delight, Act 1 Scene 2- Brabantio confirms the Rennaissance stereotype of black man as he presents Othello as a cunning sexual predator, That thou hast practised on her with foul charms//Abused her delicate youth with drugs or minerals, Act 1 Scene 2- Brabantio presents Othello as a villain, Act 1 Scene 2- Othello asserts his power as an officer declaring that violence is not necessary, Were it my cue to fight, I should have known it//Without a prompter, Act 1 Scene 3- Brabantio presents Desdemona as his property as he declares Othellos crimes before the senate, She us abused, stolen from me, and corrupted, Act 1 Scene 3- Brabantio presents Desdemona as the innocent victim of Othellos abuse, Being not deficient, blind, or lame of sense//Sans witchcraft could not, Act 1 Scene 3- Othello dispels all rumors as he addresses the senate with respect, Act 1 Scene 3- Othellos dramatic irony as he suggests he does not speak well in front of a crowd, Rude am I in my speech//And little blessed with soft phrase of peace, Act 1 Scene 3- Othello also suggests that Desdemona is now is property, Act 1 Scene 3- Brabantio continues to present Desdemona as a weak and innocent victim as Othello attempts to justify his actions, A maiden never bold//Of spirit so still and quiet that her motion//Blushed at herself, Act 1 Scene 3- Brabantio continues to illustrates the xenophobia of his time, To fall in love with what she feared to look on, Act 1 Scene 3- Brabantio expresses the unnatural nature of this marriage, Act 1 Scene 3- Brabantio a likens Othello to the Devil, Act 1 Scene 3- Othello presents a greatness of soul as he allows Desdemona to speak for herself, And let her speak of me before her father, Act 1 Scene 3- A moment of foreshadowing as Othello presents a greatness of soul as he illustrates his overwhelming trust for Desdemona, but let your sentence//Even fall upon my life, Act 1 Scene 3- Othello presents his hubris as he discuss the difficulties that he has overcome to the senate, From year to year- the battles, sieges, fortunes//That I have passed, Act 1 Scene 3- Othello presents he hubris as he boasts about his exotic adventures to the senate, Rough quarried, rocks, and hills whose heads tough heaven, Act 1 Scene 3- Othello first discusses why Desdemona was attracted to him, Shed come again, and with a greedy ear//Devour up my discourse, Act 1 Scene 3- Othello discusses the sympathy that Desdemona felt towards his struggles, She gave me for my pains a world of sighs, Act 1 Scene 3- Othello discusses how he enjoyed the pity he received from Desdemona, She loved me for the danger I had passed// And I loved her, that she did pity them, Act 1 Scene 3- Desdemona is allowed to speech and expresses how she belonged to her father, Act 1 Scene 3- Brabantio does not understand the harmful power of words, But words are words; I never yet did hear// That the bruised heart was pieced through the ear, Act 1 Scene 3- Desdemona expresses that she now belong completely to Othello, My heart subdued//Even to the very quality of my lord, Act 1 Scene 3- Desdemona discusses Othellos honour, And to his honours and he valiant parts//Did I my soul and fortunes consecrate, Act 1 Scene 3- Othello presents his greatness of soul as he declares that he is not simply with Desdemona for reasons of lust, I therefore beg it not//To please the palate of my appetite, Act 1 Scene 3- A moment of dramatic irony as Othello declares his trust for Iago and puts his wife in Iagos care, A man he is of honesty and trust://To his conveyance I assign my wife, Act 1 Scene 3- In a moment way ahead of his time the duke suggests that there is more to Othello than his race, If virtue no delighted beauty lack//Your son-in-law is far more fair than black, Act 1 Scene 3- In a moment of foreshadowing Brabantio plants a seed of doubt into Othellos head, Look to her Moor, if thou hast eyes to see//She has deceived her father and may thee, Act 1 Scene 3- In response to Brabantios seed of doubt Othello presents his overwhelming trust for Desdemona, Act 1 Scene 3- Othello makes an error of judgement as he puts Desdemona in Iagos control, Honest Iago,//My Desdemona must I leave to thee, Act 1 Scene 3- Roderigo expresses he desire to die after he learns about the marriage, this mirrors Othellos speech moments before his death, It is silliness to live, when to live is tormentwe have a prescription to die, Act 1 Scene 3- Iago declares the importance of will over instinct, Our bodies are our gardeners, to the which our will are gardeners, Act 1 Scene 3- Iago further illustrates the need to control lust with will, It is merely the lust of the blood and a permission of the will, Act 1 Scene 3- Iago reveals the greedy motives of his support for Roderigo, Act 1 Scene 3- Iago presents casual racism as he questions Othellos will, Act 1 Scene 3- Iago reveals his manipulation of Roderigo for money, Act 1 Scene 3- Iago reveals that is actions are simply for enjoyment presenting him as a true villain, Act 1 Scene 3- Iago suggests that he is going to manipulate Othello, Act 1 Scene 3- Iago identifies Othellos fatal flaw, The Moor if of a free and open nature//Than thinks men honest that but seem to be, Act 1 Scene 3- Iago presents casual racism as he refers to Othello as an animal, And will as tenderly be led by thy nose//As asses are, Act 1 Scene 3- Iagos plan has been formed, Hell and night//Must bring this monstrous birth to the worlds light, Act 2 Scene 1- Montano declares that the Turkish Fleet have drowed, If that the Turkish fleet//Be not ensheltered and embayed, they are drowned, Act 2 Scene 1- In a moment of dramatic irony it is suggested that the battles are over, Act 2 Scene 1- Cassios caring nature and genuine love for Othello are revealed, this dispels all previous rumors, yet he looks sadly//And prays the Moor be safe, Act 2 Scene 1- Cassio presents a genuine concern for Othello who has not yet arrived at Cyprus, O, let the heavens//Give him defence against the elements, Act 2 Scene 1- Iago presents casual sexism as he suggests that his wife Emilia talks to much, would she give you so much of her lips//As of her tongue she oft bestow on me//Youd have enough, Act 2 Scene 1- Desdemona dispels all previous rumors as she appears bold when she defends Emilia from Iago, Act 2 Scene 1- Iago appears sexist as he suggests that even his own wife lacks sexual morality, Act 2 Scene 1- Iago reveals more of plot to manipulate Cassio, With as little a web as this I will ensnare as great a fly as Cassio, Act 2 Scene 1- It is a true high point for the tragic hero as Othello arrives in Cyprus, It gives me wonder great as my content//To see you here before me.
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