Discover the best Motown love songs. Spartan yet sweet, it hearkened back to the doo-wop era at a time when soul music was just beginning to get lavishly psychedelic, a simple statement of love and determination that got the groups career going after years of waiting in the wings. Sam Armstrong, This massive hit for The Four Tops wasnt just a No. Find many great new & used options and get the best deals for Motown 25: Yesterday, Today, Forever (DVD) at the best online prices at eBay! Where Did Our Love Go The Supremes / U.S. Dancing Machine The Jackson 5 / U.S. When Holland, Dozier, and Holland left Motown for financial reasons, songwriter-producers Barrett Strong and Norman Whitfield stepped into the breach and took the label in a whole new direction. An ode to staying positive during difficult times a very vogue-ish song subject matter during the Vietnam era I Just Want to Celebrate fused a beefy funk groove, a wild rock-style wah-wah guitar solo, and a midsong breakdown. A few days after the first was released locally, Gordy second-guessed himself too slow, not enough life, he grumbled and he brought everyone back to record the peppier version that became Motowns first million-seller. Pop U.S. R&B, 8. Get Ready The Temptations / U.S. R&B, 24. E.L. 1s box set. Devil In The Bottle T.G. ALL FORUMS
With a Number Three pop hit that was his first single to top the R&B charts, Wonder was just getting started. I just look for Matousek's name in the credits. Awe-inspiring. The last Number One hit of the Sixties, it was afitting send-off for the group and the decade that birthed them. Do You Love Me The Contours / U.S. R&B, 4. Not much became of the imprint, which closed up shop by the mid-Seventies. Lets Get It On Marvin Gaye / U.S. Sail On The Commodores / U.S. Ill Be There The Jackson 5 / U.S. The Supremes would eventually record their own version, though it wasnt released until 1987. Pop* U.S. R&B, 14. Say You, Say Me Lionel Richie / U.S. Cruisin Smokey Robinson / U.S. What a single. He just wants to be high (so high) and free, and really, who could deny such a sweet farewell? Its hard to decide which is more joyous, the opening horns or Wonders la la las,but they blend together to produce the kind of sunshine-soul pop that could only exist in 1969. Far from the tales of carefree romance popular in Sixties Motown, the song cautions against the smiling faces that pretend to be your friend and dont tell the truth. The group wouldnt reach that level of success again, but the song earned notable covers by everyone from Rare Earth to Joan Osborne. The Mary Jane Girls find a topic far more exciting than the Yellow Pages, stringing together lusty lines about a rooftop booty call. Shes built like a brick shithouse means that shes strong. Like Kool and the Gangs Celebration, the song outhouse references and all has been so culturally ubiquitous for so long, its transcended mere funk to seep into the worlds cross-generational musical DNA. Can I Get a Witness had a strong impact on British soul fans too; the Rolling Stones put a version on their debut album and even wrote their own answer of sorts, an instrumental vamp called Now, Ive Got a Witness, and Dusty Springfield begged and shouted her way through her fantastic version in 1964. Do It To Me Lionel Richie / U.S. R&B, 9. 1s, with the Miracles and as a solo artist. Blowin In The Wind Stevie Wonder / U.S. R&B, 3. But Boyz II Mens 1992 New Jack Swing sound was styled after classic vocal soul, Motown included. All This Love DeBarge / U.S. Adult Contemporary, #1 cover/rap version by Coolio featuring L.V., as Gangstas Paradise: U.S., Australia, Austria, Belgium, Finland, France, Germany, Ireland, Netherlands, Norway, Sweden and Switzerland, 1. Motowns classic period may have long ended by the time the Nineties rolled around, but the labels biggest hit was yet to come. The result was a sweet, transporting tune and a hit their first as the Supremes (rather than Diana Ross and the Supremes) in three years. J.D. 11: Diana Ross: Love Hangover. Rub You The Right Way Johnny Gill / U.S. R&B, 4. A song of deep longing for a missing lover, the track itself is far from forlorn, thanks to songwriters Holland-Dozier-Holland and the Funk Brothers pumping rhythms. The title phrase was inspired by a BMI awards ceremony, where one of the winners, songwriter Ronnie Mack of Hes So Fine, was eulogized by his mother, who accepted the award after his death from Hodgkins lymphoma. I Wanna Be Where You Are Michael Jackson / U.S. R&B*/**, 12. Love Machine (Part 1) The Miracles / U.S. Pop U.S. R&B U.K. 6. Pop U.S. R&B*, 24. Neither One Of Us (Wants To Be The First To Say Goodbye) Gladys Knight & the Pips / U.S. I do like the Motown extended versions that are on You Tube by mosogotam. One of the greatest Motown songs ever. Brick Houses curious compliment for a mighty mighty female, with lyrics penned by Shirley Hanna-King, wife of the bands hornsman William King, was a US smash in 1977. For those listeners, theres a John Morales extended mix of I Want You that stretches more than twice as long, teasing out the relationships between the individual instruments (especially a lone, pesky horn) and letting you live in that vamp for nearly 10 minutes. Dueling funk riffs slide over proto-boom bap drums as frontman G.C. Looking for more? Stoned Love The Supremes / U.S. R&B, 23. Pretty far, it turns out: This 1965 song hit Number One on the R&B chart and was in the Top 10 of the Billboard Hot 100. Rolling Stone is a part of Penske Media Corporation. Pop, 19. A wild version supplied a much-needed UK hit for The Fall in 1987. But when a song like this was the result, it was worth arguing over. Pop U.S. R&B U.K. Australia Ireland Netherlands Switzerland, 10. The Complete Motown Singles | Vol. Baby Thats Backatcha Smokey Robinson / U.S. R&B, 15. Adult Contemporary U.S. Dance/Disco Canada Ireland, 2. You could sing the telephone book on top of this rhythm section and it would still be a hit. Ive Never Been To Me Charlene / U.K. Australia Canada Ireland, 15. SEARCH Forum
The Marvelettes were cool customers not the kind of girls to plead or beg. Boogie Down Eddie Kendricks / U.S. This year is the 60th anniversary of Motowns first Number One hit, Please Mr. Postman, by the Marvelettes, and yet the joy and power of this music hasnt diminished even a tiny bit. After the Temptations shifted course toward funkier, harder-hitting fare like Psychedelic Shack and Ball of Confusion, Just My Imagination was a sweet nod to the groups classic sound. Written by Nickolas Ashford and Valerie Simpson, Aint No Mountain High Enough melded gospel roots with heavenly soul within a musical backdrop that swooped from gentle valleys to staggering highs. Gaye threads multitracked backing vocals throughout almost the entire tune, sometimes echoing the lead lyric, sometimes breaking the spell with shattering ad-libs then knitting everything back together by bathing the whole track in the prettiest of ooohs and aaahs. When he starts to fade out not long after four minutes, you may not feel ready to leave. But it was Motown trio the Undisputed Truth who took the original 12-minute jam, slowed it down, added horns, and cut it to down a three-minute slice of foreboding soul. John Perrone, 70, died in the past few days at Cape Cod Hospital in . You Wear It Well El DeBarge with DeBarge / U.S. Dance/Disco, 18. For the breakdown in the middle, Richie asked a friend who worked at the United Nations to recommend some African sayings. Adult R&B, Each B-sides of #1 hits, a unique chart accomplishment, #1 cover version by En Vogue (acapella intro to Hold On) / U.S. R&B Dance Club, 3. is wildly ambitious and recklessly groovy, maybe nowhere more than its title song. Got to be there in the morning/And welcome her into my world, the 13-year-old Michael Jackson sang on his first solo single, with his brothers singing behind him and a lush vocal arrangement by Willie Hutch. Pop U.S. R&B Canada, 8. Living For The City Stevie Wonder / U.S. R&B, 4. For as scary as Stubbs sounds at some points (like when the music turns overcast the second he says her name and proclaims You belong to me) but theres also something endearing about it all, and like every great Four Tops single, its impossible not to get swept away by the chorus. All Night Long (All Night) Lionel Richie / U.S. After defining the sound of young America with the mid-Sixties pop elegance of Mary Wells, the Miracles, Marvin Gaye, and the Temptations, and the girl-group glory of the Supremes, the Marvelettes, and Martha and the Vandellas, the labels two most visionary artists, Gaye and Stevie Wonder, pushed against Gordys dictatorial rule to create adventurous, socially conscious landmark Seventies albums like Whats Going On and Innervisions, which expanded Motowns scope while staying true to its core hitmaking values. Sublabel Apollo Theatre Records Parent Label: UMG Recordings, Inc. Label [l61002] Edit Label Baby Love The Supremes / U.S. #1 cover versions by Paul Young: U.S. But I will definitely work on more when I get some time to be creative. Written by Smokey Robinson, this was Mary Wells biggest hit for the label and more or less marked the end of her tenure there. Produced and penned by Holland-Dozier-Holland, this fabulous single was the only big hit for The Elgins, a highly-accomplished vocal outfit. Sir Duke is like a challenge: How could anyone listen to its Lindy-Hopping horns and funky bass, its surprise slide-whistle, and the warm growl in Stevie Wonders voice when he sings, You can feel it all over, and not smile? War Edwin Starr / U.S. On 12 January 1959, the music sensation that changed America - and the world beyond it - was set in motion. This song was never a hit, not even a single. Otis Williams later recalled, I know there werent drug references because Norman and Barrett didnt do drugs.. By the time Cameron belts Why dont you free me, from this prison/Where I serve my time as your fool, you just want to give the dude a hug and introduce him to the Marvelettes Too Many Fish in the Sea. J.N. Pop U.S. R&B, 15. Alls fair in love and war: A reconnaissance mission turns into a romantic ambush in the Marvelettes hit The Hunter Gets Captured by the Game. Secretly I been tailing you, like a fox that preys on a rabbit, Wanda Young sings. The Commodores were many things; subtle was not one of them. In Motown narratives, Smokey Robinson is often praised for his achingly beautiful work with the Miracles and his writing and production for Mary Wells and the Temptations, among others. Sam Armstrong, One of the greatest duets ever, this Lionel Richie-penned tune topped the Billboard charts for nine weeks. The songs vibe is consciously international, fitting in Caribbean, Spanish, and Swahili phrases. As a recording, with its swaying harmonies and Michael McCarys spoken Barry Whitestyle interlude, End of the Road had one foot in the past and another stepping forward, and it spent 13 weeks at Number One to break the long-standing record that Elvis had set with Dont Be Cruel/Hound Dog. K.H. Pop U.S. R&B U.K. Australia Ireland, 10. What Does It Take (To Win Your Love) Jr. Walker & The All-Stars / U.S. R&B, 4. Hip-hop 4557857 Motown a1Nellyville a2Gettin' It Started a3Hot In Herre a4Dem Boyz a5Oh Nelly a6Pimp Juice b1Air Force Ones b2In The Store b3On The Grind b4Dilemma c1Splurge c2Work It c3Roc The Mic (Remix) John's extended versions are brilliant. 2 by The Marvelettes on Amazon Music. E.L. Recalled the Temptations Otis Williams of this combustible protest epic: When I heard the groove to that I thought, Man, thats got to be funkier than unwashed armpits, cause it had the funk on it, it had the stink. The Temptations cast a wide net on Ball of Confusion, inveighing against everything from segregated housing to kids growing up too fast to unemployment to tax increases to tax deductions to piles of bills that make you want to move to the hills. Aint No Mountain High Enough 2017 Remix Diana Ross / U.S. Dance Club, 6. Marvin and Tammi never sounded better, solo or together. Written and produced by Smokey Robinson, the track is a fluttering, soft, ultra-feminine tale of fidelity, with Wells coyly rejecting the advances of other men. Sam Armstrong, The Spinners would go off to record more for Atlantic Records, but you can understand why Motown wanted to get in on the ground floor of this talented vocal group. Written by Berry Gordy and Janie Bradford in 1959, Motowns first hit offers a roadmap of the labels future: The lyric encapsulates Motowns drive for commercial as well artistic success, while the piano bass line is R&B blossoming into pop in real time. Four Tops, The Temptations, The Funk Brothers, and more The Four Tops - Baby I Need Your Loving, Bernadette, Same Old. Stuck On You Lionel Richie / U.S. Pop U.S. R&B*, 17. Take Me Higher Diana Ross / U.S. Dance/Disco, 13. Your email address will not be published. This Old Heart Of Mine (Is Weak For You) Isley Brothers, #1 cover version by Rod Stewart with Ronald Isley: U.S. Check out some of the greatest soul albums on vinyl here. The All Stars dig into the groove as though determined to show how far you can get on just one chord.
Higher Ground Stevie Wonder / U.S. The ruler of the tear-soaked adult ballad, Gladys Knight donned her dancing footwear for her debut Motown single, released on its Soul imprint in 1966. I have downloaded 3 CD's full of Supremes extended versions, as well as a volume of the Four Tops and one of various other Motown artists. I mean, she delivered a vocal performance that folks are gonna be listening to as long as human beings are capable of love., had James Brown. Ashford and Simpson knew they had a hit Nick called it the golden egg, Simpson later recalled. I Heard It Through the Grapevine (The Randy Watson Experience Sympathy For The Grapes Mix), Let's Get It On (Da Producers MPG Groove Mix), Signed, Sealed, Delivered (I'm Yours) [DJ Smash Essential Funk Mix], Abc (Salaam Remi Krunk-A-Delic Party Mix), I Just Want to Celebrate (Mocean Worker Remix), Papa Was a Rollin' Stone (DJ Jazzy Jeff And Pete Kuzma Solefull Mix), Quiet Storm (feat. Pop** U.S. R&B, 16. 1: 1959-1961 Various The Complete Motown Singles | Vol. mosogotam 284K. Three years after proclaiming that Young Girls Are My Weakness, the group was praising a mighty mighty who was built like an Amazon. A brick house means shes stacked, Commodores frontman Lionel Richie once said. mosogotam 136K subscribers 6.8K 804K views 9 years ago No copyright infringement intended. K.G. Runaway Child, Running Wild The Temptations / U.S. R&B, 2. Pop U.S. R&B, 5. The Tears of A Clown Smokey Robinson & the Miracles [U.S. version] / U.S. First recorded by The Temptations, but a huge hit for The Undisputed Truth in 1971, heres the hard-edged aspect of Motown, superbad and tough. Wherever I Lay My Hat (Thats My Home) Marvin Gaye, 1. Adult Contemporary / and by Robson & Jerome (in medley): U.K. 25. Pop U.S. R&B Canada, 19. Never Can Say Goodbye The Jackson 5 / U.S. R&B, 5.
Detroit-born 29-year-old Berry Gordy founded Tamla Records with an $800 loan from . . Smokey Robinson was on such a hot streak in 1966 he could dash off a song as perfect as No More Tearstained Makeup, and decide to stash it on Side Two of a Martha and the Vandellas album. 12. Pop U.S. R&B, 8. 5. Papa Was A Rollin Stone The Temptations / U.S. Pop, 3. Just To Be Close To You The Commodores / U.S. R&B, 5. Pop U.S. R&B* U.K. 13. The classic Motown sound was starting to fully flow by the end of 1963, when Can I Get A Witness was released. (That initial bang is the sound of guitarist Eddie Willis accidentally kicking his amp.) This was Strongs only hit as an artist, but not the end of his musical career: After trying his luck as a singer with other labels, he returned to Motown to make his name as half of a brilliant in-house songwriting partnership with Norman Whitfield. The track, originally titled Oh, My Marsha after Wonders girlfriend, is expertly featured in Almost Famous, when Penny Lane overdoses on quaaludes and has her stomach pumped inside the Plaza. 1s, including two that were not in the 2008 release and two Diana Ross remixes that have more recently topped Billboards dance chart: Aint No Mountain High Enough (2017 Remix) and Im Coming Out/Upside Down (2018 Mix).. Pop** U.S. R&B, 2. Pop U.S. R&B U.K. 23. Yester-Me, Yester-You, Yesterday Stevie Wonder / Norway, 9. Within 24 hours, a new Four Tops classic was written and recorded, and it went to Number Two on the R&B chart, and Number Five on pop. In 1970, the Spinners one of Motowns smoothest vocal groups had been off the charts for four years, when Stevie Wonder and Syreeta Wright co-wrote what would become their biggest hit. Pop U.S. R&B, 22. One of my favourite Motown duets ever. Pop* U.S. R&B, 4. DetroitYES FORUM. I Wish It Would Rain The Temptations / U.S. R&B, 16. Heat Wave Martha & the Vandellas / U.S. R&B, 9.
Who wouldnt want to be so loved? Brenda Holloway, the LA teenager who gave Motown the touch of class its founder, Berry Gordy, craved, had recorded Every Little Bit Hurts two years earlier, but it went unissued. Aint That Peculiar Marvin Gaye / U.S. R&B, 22. Pop, 2. Its a good list, but I would have made some substitutions from this list: Stop! First Of May: A Key Date In The Early Bee Gees Calendar, Live At The Apollo: Soul Dynamite In Harlem From James Brown, (Is This The Way To) Amarillo: Comic Relief Takes Tony Christie Back To Texas, Renaissance Man In A Cowboy Hat: Country Phenomenon Tim McGraw, Mulan: A Disney Soundtrack Fit For A Warrior, Little Walter: The True King Of Blues Harp, Karma: Pharoah Sanders Spiritual Jazz Masterpiece, Jon Pardi Invited To Join Grand Ole Opry At Stagecoach By Guy Fieri And Alan Jackson, Red Hot Chili Peppers Flea Shares His Three Favorite Basslines, Killer Mike Sets 2023 North American Solo Tour, Carrie Underwood To Welcome Listeners Into Carries Country With New SiriusXM Channel, Lil Wayne Invites Fans To Welcome To Tha Carter Global Livestream Concert, LE SSERAFIM Head Up A Rebellion In Nile Rodgers Collaboration, Unforgiven, Aerosmith Announces Peace Out Farewell Tour, My PeopleHold On: Eddie Kendricks Spiritual Anthem, Rare Stamps Vol.1: A Special Delivery From JJ Barnes And Steve Mancha, that plaudit going to Gladys Knight And The Pips, classic titles and under-the-radar favorites. C.H. Soulful Detroit Tours, JOIN US! A fair question, Marvin, as the skinny 60s soul romantic grows into a man aware that the world around him is full of exploitation, fear, and loathing. The Funk Brothers drive home the message with a tough beat that helps put the song up there with Dancing in the Street among Motowns great anthems of joy, aspiration, and community. In terms of sound, it heralded what was to come on Marvin Gayes classic Whats Going On album. [C# Fm B D# G#m] Chords for Diana Ross Supremes Motown "Forever Came Today" My Extended Version! The Tears of A Clown Smokey Robinson & the Miracles [U.K. version] / U.K. 18. Sheppard / U.S. Country, 20. The second phase of Stevies career saw him creating some of the most life-affirming Motown songs of the 60s, and this hymn to Ms. One of the crowning glories of pops 60s revolution, one of the best soul songs of all time, and, for many fans, Motowns peak. Pop U.S. R&B Canada, 10. Writers Norman Whitfield and Barrett Strong came up with a track that was just as incisive and explosive as the lyrics. Im Coming Out Diana Ross / U.S. Dance/Disco, 4. Pop U.S. R&B* Canada. Motown/UMe has announced the latest element in the 60th anniversary celebrations of Motown Records, with the 28 June global release of a newly-expanded edition of 2008s Motown: The Complete No. Slippery When Wet The Commodores / U.S. R&B, 16. Move on Up (Extended Version) in Motown Dinner Buffering Motown Dinner no one 1 year ago 7 80 2 Hear the full playlist Hear every second of every track with SoundCloud Go+. The Temptations are an American Motown singing group whose repertoire has included doo-wop, soul, psychedelia, funk, disco, rnb, and adul read more Similar Artists The Four Tops 861,478 listeners Smokey Robinson and The Miracles 664,594 listeners The Spinners 643,309 listeners The Supremes I've also done some of my own Motown extensions and reworkings, of which I've shared Youtube links on here since I joined the board a few months ago. Pop U.S. R&B U.S. The strutting foundation of All Night Long is unimpeachable, a squirt of bass notes scattered around a dry, echoey snare drum. Here lies yet another of the earth-shaking rhythm sections in Motowns massive discography: an unchanging snare drum cruelly punching holes in a four-part bass riff stuffed with chubby notes. Pop U.S. R&B, 20. Its a perfect marriage of two distinct and talented voices. You Havent Done Nothin Stevie Wonder / U.S. (I Know) Im Losing You The Temptations / U.S. R&B, 8. Give It To Me Baby Rick James / U.S. R&B U.S. Dance/Disco, 8. Adult Contemporary, 13. 14,904. Starting in 1965, Motown employed the legendary Bob Olhsson as their in-house mastering engineer. Ill Be Doggone Marvin Gaye / U.S. R&B, 18. The Undisputed Truth did it first, in 1972, but The Temptations landed the smash hit the following year with this version full of badass badness. Richie recorded the song with frequent collaborator James Anthony Carmichael and a variety of session musicians (some of whom had played on Thriller), working up a plush, Caribbean-inspired groove that fits like an impeccably tailored velvet suit.
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