JavaScript is disabled. You are using an out of date browser. Paul Cochrane Timmy v2 Overdrive 2012 used | eBay The trick with this setup is to keep the output of the Power Boost set modestly, to avoid excess saturation, and play through a big, clean amp with lots of headroom. YouTube and various guitar forums can be helpful when embarking on a stacking adventure, but the only sure fire way to determine if two pedals are going to play well in your rig is by hooking them up on your pedalboard, stomping on switches, turning some knobs, and listening. I hate it as a clean boost. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. Transparent drives are great for adding gain or boost to a sound you dont want to alter, like a second channel or gain stage. **For reference, the case is bigger than my head. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. Sep 2, 2016. I'll probably do Katana, TS, Timmy, Klon. I just got through messing around running a Soul Food into an OCD V2. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. Scan this QR code to download the app now. To learn more about our cookie policy, please visit our Privacy Policy. That's what you need to try. That doesnt mean its not a good pedal, but its a good thing to know before you buy it. That's what I'm sharing. Both the pedals I used in the demo have tap tempo, which I feel is necessary because it lets me chain these together. Now, here's the trick. Klon before or after Timmy? | Telecaster Guitar Forum The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. Route 66. How to Stack Pedals The JHS Show A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after. Being music makers ourselves, we love geeking out on all things gear. I actually tried my OCD with a Voodoo Lab Sparkle Drive Mod, which has 4 gain stages and is more versatile. Do your homework before buying. Last edited: May 24, 2021. Your purchases help youth music programs get the gear they need to make music. Know What You Have, Decide What You Need Next. Mar 20, 2016 at 6:11am Christopher said: The BB would go well w the Timmy and has a lot of gain on tap if needed. How are you using them? Headroom, with each new pedal, will likely decrease. You can turn the middle Nam to the middle and is a total fender The only problem is, this kind of experimentation requires access to a wide variety of different pedals, and many players do not have that luxury. Stacking Overdrive Pedals | Reverb Pedal Tricks 290,974 views Jun 16, 2016 Stacking overdrives is an art form, and one that can easily go awry. However you slice it, its important to consider what you already have to make smart stacking decisions. It ensures the correct amount of power goes to your tip-negative keyboards and electronic devices. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. Fully cleaned and lubed with Deoxit Does not include factory box or power supply Thanks for looking and stay safe out there! Just be sure if you're using a multi-effect delay or reverb that it does let you stack multiple delays. It may not display this or other websites correctly. These are my tried-and-true pedal stacking combinations, but I want to make it clear that these are not hard, fast rules. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Reactions: snarf. Depending on your pedals and settings, your experiments may have met with mixed results, but the basic idea is solid; use one gain pedal to boost or color the sound of another. Next up, take two boost pedals-- doesn't matter what they are --and combine them. Some of the add-ons on this site are powered by. Is there any better bang for the buck in a new guitar than this. I run my Klone ahead of my dirtier Nobels, Rat style OD's. CSP027 TIMMY OVER DRIVE. Pedals/Effects Anyone use a Nobels ODR-1? - Blues Guitar Unleashed You must log in or register to reply here. Klone wars Of all the boutique pedals produced in the past 30 years, the Klon Centaur is probably the most infamous. Here are 5 tips to understand as you begin to stack pedals: The last pedal in the stack has the biggest influence on the overall tone. There are a number of interesting ways to set these delays up to complement each other, but the most common method is probably to set the Carbon Copy for a shorter slapback sound, while setting the DD-3 for a longer delay time and extended repeats. When I tap the tempo on one, both of them sync up, with quarter notes and dotted eighths. For a better experience, please enable JavaScript in your browser before proceeding. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. ZVex actually has to have this in one case for this reason. The Friedman BE-OD overdrive pedal puts the intense tone of their BE100 amplifier onto your pedalboard. i own and opereate a recording studio, people pay me to listen to music too- what the {censored} is your point here? Sts 114 team award criteria. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. In that case, I switch over to the KTR Overdrive instead. More volume and it will produce more gain and different reactions from the other od's. Stacking dimed drives often results in tubby, indistinct tone. Stacking overdrive/gain/boost/distortion/fuzz pedals can accomplish a variety of goals. And now Im out getting a 12 string simulater, by the time I get home it'll be to late to try. I typically break that rule every time I combine tremolo and reverb. The JHS Angry Charlie V3 channel drive pedal captures the essence of the legendary Marshall JCM800, turning your guitar amp into a sonic flamethrower. The trick, though, is to make it work well. Now what's particularly interesting is that in an amplifier like this, the tremolo is after the reverb. Someone needs to reverse engineer that bad boy. A boost will also typically color the tone less than an overdrive, IME. Here's a look at the pedals behind the sound. Here are a handful of perfect pedal pairs for creative tone stacking. With a three-decade career as a professional guitarist in Nashville, Tennessee, Sweetwater's Don Carr has a long list of album credits in multiple genres of music. Hendrix. Myself? This could not be further from the truth, however. You take the octave pedal, and you put it before a big fuzz pedal. As you can see, just a few pedals can cover a ton of ground. While painfully incomplete, hopefully it will give you some info for practical application and serve as a jumping-off point. Honestly the Timmy isn't needed in that situation, as the BE-OD is one nasty pedal with major "tude". Please check the fields highlighted in red. It kind of has a scoop and a lot of people complain, Dude, I turned my Big Muff on, but we're in a band setting and I disappear out of the mix. Which 100% makes sense, honestly, because mids are super important to make you stand out in that mix. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. I know a lot of folks use the Klon as a very low drive pedla that tailors their EQ, but I prefer to let the Timmy do that. It's something that you absolutely have to try: tremolo and reverb. The Caverns by Robert Keely has a modulating reverb setting and a delay. Running dirt pedals into a dirty amp is very different than running the same pedals into a clean amp. To be heard. It's really beautiful. Thats a rule. I just got a Timmy for a steal and was trying to figure out how to fit it in with my Klon. Mohammad akhter md. There's a few pedals you could use here. It is a very nice boost which you can then dial in the amount of grit you want. If you go too far, you can make your tone muddy. So, heres how I get it done: I take a delay (any delay will work, but I really like the Diamond Memory Lane Jr) and I set it to a faint, but almost strong quarter note echo. This next one has been around for a while, since before people even started stacking pedals. Timmy is used by itself for a crunchier sound than Klon. How are you running the two pedals gain wise? Made-Man. When I stack, I don't like to stack the same pedal- too much of the same frequencies. I have both & they are completely different. Gives me 80s NWOBHM tones all day, Strymon OB1 (compressor includes clean boost as a 2nd footswitch) -> MXR Distortion III -> Blues Driver. Molecular geometry shapes and . There is a clear top-end chime and warmth in the midrange. Whatever youre looking to experiment with, you can find that delay effect on here. Check those out. call paul and bill and tell them BOTH that line of bull{censored} above. I vote used dod 250. In terms of economy and sheer possibility, one of the most exciting aspects of drive pedals is their ability to be stacked. I've worked in fields where I was required to hear very minute differences in audio signalsI trust my earsand the people who paid me put them to the test and found that they could trust them as well. The Tim is a honking big piece of pedal metal. Two of them employ NOS through-hole germanium diodes, while the other three substitute modern silicon ones. Personally, I would go Katana, TS, Timmy, Klon. If you are stacking a given pedal often, you might find that you need to find a new setting that works well both in tandem and standalone. If that makes zero sense (which is reasonable), feel free to watch my JHS Show episode on this topic to listen to this demo around minute 14. I finally understand that the Klon sounds better being goosed itself. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. It has some great stacking possibilities. Is there a decent budget pedal that would push the Tumnus over the edge for solos and be heavy/crunchy and not lose mids on its own as needed? Theres a little bit of a longer delay time required in this, so you may want to tap in the tempo if your pedal allows that. And I think a lot of you guys would like it. To explain this, Ill paraphrase Jim Gaffigan, Of course, cops like ambient clean guitar tone. For me, I consider it an always . Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. In a head to head comparison, tonally, they are almost identical. A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after. I also use an Xotic EP boost for stacking. For example, if your fuzz pedal sounds best to you with the gain set high, treat it like a heavier-gain pedal. For example, assuming that you are largely happy with your tone as it stands, consider trying a low-gain overdrive to add subtle grit and character. What to stack with a Tumnus deluxe? : r/guitarpedals - Reddit Turn your old gear into new gear with the Sweetwater Gear Exchange! For our purposes, you need to know, for example, that some drive pedals work better with some amplifiers than others. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. His resume includes hundreds of radio and television appearances, as well as thousands of live performances in America and abroad as lead guitarist for the legendary Oak Ridge Boys. Stack the Tonebender and the Supro-y overdrive to cop Jimmy Pages tones. Guitar volume knob cleanup varies from pedal to pedal, and some pedals coax your mind and fingers to work in different ways than others. Price to sell look it up Reverb this one is really in mint condition kill switch and all. Ask a Luthier: What Do You Wish More Guitarists Knew About Their Instruments? I really like my TS into my OCD. ", wrong its chinese clone of rat before or after chinese rat 2. Randy has agreed to share his secrets and vast knowledge with us on Monday's and Tuesday's ( When he's not on tour of course) He has been performing his Tribute to Jimi since 1977 and has also played with many other artists. Currently, after watching and reading a lot about Klon (e)s on fora . EVH Eddie Van Halen USA $3,298 | Musical Instruments | Los Angeles, CA If you try this, you'll be really, really surprised. I prefer an analog delay as the quarter note front, and then I like a nice digital delay for the dotted eighth repeats. Does anyone stack their klone (I'm looking into the ARC EFFECTS one) into a timmy? JavaScript is disabled. The original Klon employed traditional through-hole parts. Suzuki f8b specs. I hate it as a clean boost. 1995-2022 Harmony Central, Inc. All rights reserved. G sides gorillaz download We take that first stage that's clean, transparent, no mids, and add something with a ton of mids. ~ Private rehearsal studio available ~ Completely private, no neighboring bands ~ Top of the line equipment ~ Feel free to contact me for booking *$30 per hour w/ a minimum of 3 hours. Browne Amplification Carbon $219+ | Click title for video. The MXR Timmy has more dynamic presence than your regular overdrive. The new timmys sound closer to the TIM now. MXR Timmy Overdrive review | Guitar World After many years of using the Klon to goose everything. It tastes like heaven. the are different circuits geared towards COMPLETELY different sounds-. 98 Fender Stratocaster masterbult custom shop one kind one off $5,197 Overdrive/distortion that stacks well with Timmy? | Z-Talk Klon (or Klone) > Timmy Even if you opted to do it like that, it would sound different depending on the settings. Most recognizable dirt tones and many amplifiers heck, entire setups can be recreated simply by combining a few drive pedals together and learning how to make them mesh well. 2,520. 6. It's honestly a modern staple; this thing is on a ton of boards for a reason. I use a JHS Morning Glory V4 but you've got options. Both of my boards have four OD pedals with a Timmy being the first in the chain. It started through guitar amplifiers. How does it sound? All controversy and cost issues aside, the Klon Centaur is a spectacular pedal for stacking. But that's why we play guitar, right? So, just like the amp, the reverb is before the tremolo. From there I have three options to pick and choose from depending on the kind of dirty sound I'm looking for. For what you're doing, stacking a boost ahead of your Klon-type might be all you need. Bummer, Tumnus into OCD is one of my absolute favorite combos because of how versatile it is. Wampler Pedals Plexi-Drive Mini - westownvetclinic.com The 1.7 was always my favourite, but ever since I began running the 2.0 in 18-volt mode it's kind of in the lead. Then I can stack it with the Morning Glory and get a heavy mid range boosted overdrive that's rich, it's thick, and works great on any pickup, neck bridge, or middle. Shipping and handling. my Mandolin is 1915 1Year Newer than 1 in 1amst Photo Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Mandolin 1915 Vintage 22201 Amber Pumpkin Finish thanks for playing! I haven't had much luck with Klones and stacking with other dirt pedals. The list of variables goes on and on. and don't attack me asshole, I'm asking about what I've been told. Original Blues Breakers, while not super expensive, still hover in the 250-dollar range (a bit much if you ask me). If you have any questions about drive stacking or pedals, give your Sweetwater Sales Engineer a call at (800) 222-4700. The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. My current set up is a fender player series strat (MIM) into a 65 deluxe reverb reissue. It may not display this or other websites correctly. Here are 5 tips to understand as you begin to stack pedals: Trust your ears. Plugging pedals into other pedals is tremendous fun. Pph 21 pegawai kontrak. Best Blues Breaker-Style Pedals, Clones & Evolutions in 2023 If your tone is fine, but a bit dark, consider trying a boost. Kemper Profiling Amp PowerHead in Black - Andertons Music Co. This way: Katana>TS>Timmy>Klon if you want to use the Timmy as clean boost and the Katana as a way to get more gain/compression out of the TS and Timmy. Thank you for your request. Both pedals have an external tab jack. This has gobs of delay options. Your purchases also help protect forests, including trees traditionally used to make instruments. Stacking Overdrive Pedals | Reverb Pedal Tricks - YouTube The EarthQuaker Dispatch Master doesn't say it has modulated reverb, but I swear it's there, plus it's a really simple pedal to use. See giveaway details & rules or check out our past winners! Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. A common scenario is a clean amp with a light gain pedal followed by a heavier gain pedal. Ibanez TS9 Tube Screamer Reissue for Sale in Portland, OR - OfferUp One option is to set them up to be multiple gain stages. Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. Any suggestions would be greatly appreciated as to which order makes more sense in general. Okay, in context he may have been talking about donuts, not guitars, but my point still stands. NEW Tagima Stella DW- Black Fade - musical instruments - by dealer Fuzz stacked into an overdrive pedal? I like the Death by Audio Fuzz War, just because it sounds as big as the case looks.**. Now, this is obvious because companies like myself have made pedals that combine these into one, like my Double Barrel that has the Morning Glory and a Tube Screamer. The Eventide H9 is another option that I actually have on my personal board. Do the same with the Volume control while adjusting the Gain to different settings. It's really an addictive sound, and the tactile responsiveness is very satisfying as well. You are using an out of date browser. I was shooting for two pedals on a piece of 3/4 ply. . As Duke Ellington said, If it sounds good, it IS good. There is no right or wrong, only what you prefer. The Timmy has a more versatile EQ section, but sonically they have very similar signatures. I was running the Timmy into my Klon KTR - but last night I tried Klon KTR into the Timmy and liked the sound WAY better, so that is the way it is staying on my board - for what it is worth. I use a TC Electronic Spark clean boost as the first pedal into my ODs. Stacking Klon, Timmy, Ts808hw and Keeley Katana | The Gear Page Take an octave pedal, like the Electro Harmonix Micro POG, the OT-10 Octave by Ibanez, or the BOSS OC2. For the reverb and tremolo, the Strymon Flint is really great. / , , . It may not display this or other websites correctly. Actually, the old timmy's sound a little different than the tims. Electric Guitar Gibson Fender Ibanez Yamaha PRS Guitar . So mess with the knobs. The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. Actually there are TWO of us saying that they are similar in sound. In truth, just about any low-gain, gently mid-focused boost or drive pedal should do the job in this scenario if set up correctly. To figure out what your pedal sounds like, try these steps: Start with the EQ controls set to flat (typically 12:00). Today, were putting together some truly great pedal stacking combinations. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Rickenbacker 360/12 string in Fireglo in perfect condition. Your email, has been entered to win this giveaway. Our contender klones have modern surface-mount components, which facilitate automated production and keep list prices low. Reversing this setup can also be cool, with the DD-3 first and the Carbon Copy set for longer repeats. Basically, I hit a note and then it bounces back slowly. Amazon.com: Blucoil 9V 670mA Power Supply with Slim US Plug AC Adapter I stack OD's all the time. It's really, really fantastic. I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. Whew! Also, get a Klon and try it as a heavy overdrive. Jul 13, 2017. Four very distinct tones made from a fairly modest array of pedals and thats without adjusting the knobs or switching amps. Happy customers, one piece of gear at a time! fender original tele 50s, 24 When you combine two boost pedals, in a sense it does the same thing, but you get infinite tweakability. New CLR 3-way switch. Set the octave up with about 50% dry signal, if you have that option. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. For more information, please see our Exclusive deals, delivered straight to your inbox. 4 Perfectly Pleasing Pedal Pairs | Reverb News From there I have three options to pick and choose from depending on the kind of dirty sound . For a better experience, please enable JavaScript in your browser before proceeding. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. big muff - so its nice that you think you know what you are talking about mr 'ive worked in fields.'. It's fantastic and infinitely tweakable and great for people who like to try different styles of overdrive sounds, and who really want to try something other than a Tube Screamer. Kaeri presidential polls. Good Luck! Not enough people do it, and I think you'll be really surprised. This thread may have run its course, but IMHO, the two sounded more dis-similar than similar. 874-927seven USA Eddie Van Halen wolfgang Guitar In excellent condition. They know right from wrong!. It sounds like Martian food. Some good alternatives to a Morning Glory, which is a Bluesbreaker-style circuit, would be something like Paul Cochran's Timmy and the Xotic RC Booster, which are both great transparent pedals that don't color your sound. If you have this setup, try it. All hardware replaced with Gotoh including the bridge, knobs, and locking tuners. The key to a perfect drive stack is to pay attention to your EQ. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) or using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? A guitar player buddy of mine stacks his Klone, a Bluesbreaker clone and a Rat to good effect. 7 Types Of Overdrive Pedal For Killer Blues Tones Responsive controls let you dial in a wide. If the OCD is bassy, two gives you bass on top of bass. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. ^ what he said. Now is the perfect time to get the gear you want with simple, promotional financing. JavaScript is disabled. By continuing to use Reverb, you agree to these updates, and to our cookie policy. Below are a few hints to help you expertly wade into the exciting and very-wide world of dirt stacking. 8 -10" speakers With adjustable horn Excellent working condition Comes with cover . Here is a short list to provide a starting point for stacking drive pedals. Classic gear: Paul Cochrane Timmy | Guitar World Hey! This is a tone combo that almost every guitarist recognizes as the magic blend used by Pink Floyd's David Gilmour, most notably on the Dark Side of the Moon and Animals tours, and likely in the studio as well, during the recording of his first solo outing. It's the one that really frustrates your neighbors and makes everyone in your house hate you. So, the Big Muff doesn't have any mid frequency peak at all. A warm or a mid-heavy overdrive can often tame an overly raw and spitty fuzz. This gives you a darker, quicker initial echo that suddenly morphs into crystal clear repetitions, an effect which I personally find very enchanting. This way, the drives will not conflict with one another. Happy stacking! My favorite pedal combination for this maneuver is a warmer, murkier analog delay, like the MXR Carbon Copy, running into a cleaner digital delay, like the Boss DD-3. You have all kinds of builders doing that nowadays. MXR Timmy Overdrive Mini Pedal Reviews | Sweetwater This website uses cookies to improve your experience. Mayweather vs guerrero memes. Here are a handful of perfect pedal pairs for creative tone stacking. You don't want to get all crazy and wash it out. These are two bona-fide classic dirt pedals that just happen to make beautiful tonal magic together. Hi thanks for your replies. one is all i need. Each new drive will shape the EQ and most drives also increase compression. Now this is big. Of course, purchasing a Ram's Head Muff and a Power Boost these days would be a prohibitively expensive proposition for most of us, but there are plenty of fine clones available that will do the job just as well. Turn the volume up, and turn the treble up so the mids comp a little bit with the treble. All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. It's awesome for clean tones. The Big Muff has plenty. some people like to stack them though. The Quiet Theory Prelude is also a great pedal, since it has both settings. It does a lot of crazy stuff, but I'm going to just set it as a big ambient wash. Then I'm going to take one of my Kodiak tremolos, and I'm just going to let it pulse and trim the decay of the reverb and the clean signal.